The Moya View

Tag: minimalism

  • Her

    Her

    I wrote “Her” after waking from a dream that felt like a visitation from memory itself. The poem explores how forgetting can become a form of intimacy—how the act of brushing hair in a childhood house can reveal the limits of recognition.

  • Reverse Erasure

    Reverse Erasure

    Reverse Erasure began as a mirror to my earlier poem Erasure. I wanted to see what happens when destruction runs backward — when the horror of disappearance becomes a slow reclamation of form. The poem’s reverse sequence borrows from Gaspar Noé’s Irreversible, but replaces cinematic violence with the mechanical violence of graphite, paper, and dust.…

  • The Dress

    The Dress

    This poem began with the image of a man holding a dress in a dim room, an object behaving as both memory and disguise. Its theme is how clothing can momentarily alter the body’s outline and expose what grief refuses to say.

  • A Loss

    A Loss

    I wrote A Loss after burning a photograph that refused to fade on its own. The poem examines how ritual and chemical reaction replace sentiment, turning memory into residue and pressure.

  • Peace Wheel

    Peace Wheel

    I wrote Peace Wheel after watching monks construct a sand mandala outdoors, where the wind kept undoing their precision. The poem explores the friction between breath and wind—human control against the inevitability of dispersal.

  • Family Tree

    Family Tree

    Family Tree began as an image of a house without windows and a river carrying away its debris. The poem explores how time erodes lineage—the way humanity sloughs into the river’s swell and becomes part of its current.

  • The Watching

    The Watching

    I wrote My Pigeon Heart after watching a pigeon settle on the ledge of an abandoned building downtown. The image felt like a mirror — a creature surviving in ruin, indifferent to collapse. The poem’s architecture is vertical: a descent from observation to fracture. It’s about the violence of stillness, the small greatness of endurance,…

  • Each Morning Before Dawn

    Each Morning Before Dawn

    I wrote Each Morning Before Dawn after noticing how the small rituals of care—refilling a bird feeder, waiting for song—can reveal the violence beneath domestic calm. The poem began as a record of sound and silence, but it evolved into a meditation on expectation and dread. The mockingbird and squirrel became emblems of persistence and…

  • Stones

    Stones

    “Stones” emerged from a walk with my autistic brother, where the gravel beneath us felt like a ledger—each stone a record of what we’ve inherited and what we must carry. I wrote it to honor the physicality of memory and the way lineage shapes our future terrain. The poem resists sentimentality and abstraction, staying grounded…

  • Wrinkle-less

    Wrinkle-less

    Wrinkle-less emerged from a moment of reflection on how survival—through illness, loss, and aging—leaves marks that are not always visible. I wanted to resist the cultural shorthand that equates wrinkles with wisdom, virtue or experience, and instead offer a poem where absence becomes a site of consequence. The scars, deafness, and neuropathy I reference are…