The Moya View

Tag: contemporary American poetry

  • Evening Shades

    Evening Shades

    I wrote Evening Shades after reading H.D.’s Evening and wanting to translate its floral disappearance into a diagnostic one. The poem examines how light and shadow behave inside the body—how visibility itself becomes a kind of haunting.

  • Free Fall

    Free Fall

    This poem began with the objects—door, hinge, roof, bucket—each one failing in its own small way. I wrote it to expose how the body carries damage the same way a house does: quietly, structurally, without asking for sympathy.

  • Shedding

    Shedding

    Shedding began as a meditation on the rituals we inherit and the ones we invent to survive grief. I wanted to write a poem that honored the quiet choreography between father and son—the way they speak through thermostats, boiled peanuts, and Dolphins talk. The “fortune cookie” structure emerged as a way to hold fragments of…

  • I Will Not Go to the Light Having Known Nothing of the Darkness

    I Will Not Go to the Light Having Known Nothing of the Darkness

    I wanted to write a poem that metabolized silence, that honored the gestures we inherit but never name. The title came first—a vow not to bypass darkness in pursuit of light. From there, each stanza became a vessel: bruised fruit, a crocheted blanket, a drawer that won’t close. I wrote it to preserve what frays.