The Moya View

Shadow Feathers (after Pravy Jha’s The Parrot with Three Painters)


Art by Smokelong

	Shadow Feathers (after Pravy Jha’s The Parrot with Three Painters)

ART BY SMOKELONG
She paints just the tail of the green bird,
It's the color of the monsoon seepage of the walls
where the paint lifts from the plaster.

She found it after her morning Chai
in the Kohbar room filed with Lotus blooms
and fish circling one another eternally,
in the corner among the rise of Bamboo
stretching among a pastel eastern sun.

There in the middle,
just beyond the bird
decomposing into layers of
blue and yellow pigments
was a small suitcase
and her daughter just behind it.

The mother hands the girl a torch.
The daughter holds it.
The beams settle across the silent bird.

The mother begins mixing her paints:
the green first, followed by black
and finally, the thin white line
that forms the edge of a tail feather.

Outside are the shouts
of the guava cart seller.
In the distance
a train horn drifts faintly
across the jaundice afternoon sky.

The daughter starts to speak.
The mother draws another feather
almost identical to the other.

The daughter sees
the mother’s wedding photograph
hanging in the next open room—
the garland around her neck
heavy enough to alter her spine’s posture.

The mother continues
adding shadow feathers.

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