

G.G. Hawkins’ *I Really Love My Husband* (2025) is a dramedy that delves into the complexities of love, self-deception, and the gradual unraveling of a marriage. The film follows Teresa (Madison Lanesey), a newlywed who frequently insists—perhaps too often—that she truly loves her husband, Drew (Travis Quentin Young). As the couple embarks on a long-overdue honeymoon in the picturesque Bocas del Toro, Panamá, Teresa’s inner doubts start to emerge, leading to a series of increasingly bizarre and emotionally charged encounters.

Hawkins masterfully constructs a nuanced character study centered around Teresa, employing her repeated affirmations as a clever narrative device that highlights the disparity between how we perceive ourselves and how we are perceived by others. This technique not only reveals Teresa’s inner turmoil but also underscores the often complex nature of human relationships. The film’s humor is elegantly understated, emerging from moments of awkward interactions and sharp, witty dialogue rather than relying on obvious comedic setups.

The introduction of Paz (Arta Gee), a mysterious and androgynous island resident, enriches the narrative significantly. Paz’s enigmatic presence catalyzes Teresa, steering her toward an unexpected emotional reckoning. This dynamic adds an intriguing layer to the story, inviting viewers to reflect on identity, acceptance, and the impact of external influences on our self-discovery. Hawkins crafts a richly layered exploration of the characters’ psyches, creating a thought-provoking cinematic experience.

While the film’s themes are intriguing and resonate on multiple levels, its overall execution occasionally stumbles. The pacing tends to be uneven; for instance, certain sequences linger excessively, diluting their impact, while others rush by, leaving little room for emotional development. Teresa’s unraveling is portrayed with commendable acting, yet at times, it lacks the complexity necessary to fully rationalize her decisions. This shortcoming makes her character arc feel somewhat underdeveloped and less relatable. Furthermore, the film struggles with tonal shifts between comedy and drama, which do not always transition smoothly. As a result, certain scenes clash awkwardly, leading to a disjointed viewing experience that detracts from the film’s emotional resonance.

*I Really Love My Husband* is a thoughtful and sometimes unsettling exploration of marital doubts and personal identity. Although it doesn’t always achieve an ideal balance between humor and emotional depth, it remains a compelling watch, especially for those who enjoy character-driven stories.

**Grade: B+.**






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