The Moya View

Tag: lyric poem

  • After the Fire

    After the Fire

    After the Fire began as a study in aftermath—how heat lingers after gesture fails. It’s about the refusal to touch, and the way physical residue becomes the only language left between two people.

  • A Night of Rain

    A Night of Rain

    I wrote A Night of Rain after watching a bird cling to a lemon tree during a storm. The image became a study in distance—the bird, the person, and the observer caught in a triangulated gaze.

  • Reverb

    Reverb

    Reverb” emerged from a moment of quiet recognition—when I realized I was speaking in my mother’s cadence, carrying her grief as if it were my own. The poem is built as a series of couplets that echo generational sorrow without resolving it. I wanted the rhythm to waver, to enact the instability of grief itself.…

  • Mourning Mom

    Mourning Mom

    This poem emerged from a moment of speculative grief—imagining my mother’s aging voice as a thread I never got to follow. I wanted to write an elegy that refused sentimentality, that honored absence without ornament. The poem’s structure mirrors that ethic: short stanzas, pared-back language, and a final line that lands without flourish.

  • Birds and Milkweed

    Birds and Milkweed

    Birds and Milkweeds emerged from a moment of listening—pressing my ear to my wife’s chest and imagining wings. The poem enacts the illusion of flight that love offers, and the beauty that remains after we fall. Butterflies and milkweed form a memento mori—not of grief, but of transformation. I wanted to write a poem that…

  • Finalities

    Finalities

    Finalities emerged from a moment of ritual clarity after my mother’s passing. I wanted to honor not just her memory, but the gestures others made to restore her—clipping her hair, dressing her in youth, renaming her Elsi. It stages mourning as a quiet choreography of speculative grace. It’s about the transformation of a woman into…

  • Swimming Lessons

    Swimming Lessons

    Swimming Lessons emerged from a personal ritual of return—three encounters with water that marked my transformation from child to survivor. The poem is structured as a triptych: saltwater initiation, oceanic communion, and chlorinated reckoning. Each stanza ritualizes memory, surrender, and survival. I wanted to explore how water remembers us, how it becomes a witness to…

  • Sightlines

    Sightlines

    Sightlines” emerged from a moment of ritual clarity—when my aging eyes, no longer tasked with precision, began to see through blur into beauty. The poem honors the body’s quiet adaptations and the mind’s compensatory grace. It’s a minimalist elegy for vision, a philosophical gesture toward perception as ritual. I wanted to write something that doesn’t…

  • January Dream, 1987

    January Dream, 1987

    January Dream, 1987 emerged from a dream visitation that blurred grief with peace. My mother, who had died decades earlier, returned in the dream not to ascend, but to sign love into my palm—wordless, tactile, and precise. The poem resists sentimentality and myth, honoring ambiguity and consequence. It’s an American sonnet that turns on ethical…

  • Sunset Visit

    Sunset Visit

    “Sunset Visit” emerged during a twilight walk through a cemetery near my childhood home. I was struck not by grief, but by the contrast between the quiet of the dead and the noisy solitude each visitor carried—thoughts, regrets, memories. The poem began as a study in light and stone, but deepened into a meditation on…