The Moya View

Tag: literary submission

  • England 5, France 3. The 7/18/26. Miami

    England 5, France 3. The 7/18/26. Miami

    I wrote England 5, France 7/18/26 after watching the match and noticing how gestures—handshakes, hugs, stiff smiles—carry the residue of conflict and detente more precisely than words. The poem studies how surfaces record both trauma and victory without naming emotion.

  • Appalachian Funeral

    Appalachian Funeral

    I wrote Appalachian Funeral after driving past an abandoned church near the highway outside Soddy-Daisy, Tennessee, where the wind carried dust from passing semis into the open doorway. The poem’s theme is the residue of faith and labor — how objects, not memory, hold the pressure of what’s gone.

  • Large Language Questions

    Large Language Questions

    I wrote Large Language Questions while testing how grammar itself can fracture under pressure. Each question turns syntax into a physical object—hinge, blade, lock—so that language becomes a machine grinding against desire.

  • Reverb

    Reverb

    Reverb” emerged from a moment of quiet recognition—when I realized I was speaking in my mother’s cadence, carrying her grief as if it were my own. The poem is built as a series of couplets that echo generational sorrow without resolving it. I wanted the rhythm to waver, to enact the instability of grief itself.…

  • Transcription

    Transcription

    soundtrack and images transform into words. I wanted to capture how memory and imagination build a foundation—bright doors, roofs wide as sky—out of fragments of fear and joy. The theme is resilience: the act of immersing nightmares in dreams until something sacred emerges.

  • Blue Mercy

    Blue Mercy

    “Blue Mercy” began as a quiet observation—a fly, a door, a gesture. But beneath its domestic stillness, I found a philosophical hinge: mercy as both restraint and release. The poem is an allegory of consequence, where the blue swatter becomes a symbol of ethical tension—between intervention and surrender, between light and disappearance. My wife’s presence,…

  • Photo Stop

    Photo Stop

    This poem began as a meditation on gesture—specifically, the act of photographing something not to share, but to preserve a private emotional truth. I was thinking about how grief often manifests in small, unceremonious rituals: lifting a phone, deleting and retaking an image, placing it back in a purse chosen for protection rather than style.…