Galder Gaztelu‑Urrutia’s Rich Flu races forward with the lively spirit of a film that woke up feeling a little panicked and decided to reinvent itself every ten minutes. The premise is a real treat for anyone who enjoys watching wealth panic on screen, and the director uses it as a fun excuse to throw in tonal shifts with lots of enthusiasm. The movie keeps moving without ever settling, which can be part of its charm or a bit of a headache, depending on how much chaos you’re comfortable with before reaching for a glass of water.
Mary Elizabeth Winstead’s performance really keeps the film steady, even when the script tries to shake things up. She portrays Laura Palmer with a nervous, corporate bravado that’s vulnerable whenever the story takes a moral turn. Gaztelu‑Urrutia uses her struggles to highlight the absurdity of wealth culture, though sometimes he pushes the metaphor a bit too far. Nevertheless, Winstead’s grounded performance helps the satire stay effective, keeping the film from drifting into mere gimmicks.
The film’s middle section takes a bold turn toward social commentary, weaving in scenes like the refugee camp detour, the commune visit, and the frantic Mediterranean escape. Each moment aims to shed light on issues of privilege. Some scenes hit with lively, sharp energy; others rush into a new idea before fully exploring the last one. This mix of approaches becomes part of the film’s charm, showing that it values stirring the audience more than perfect polish.
Gaztelu-Urrutia’s visual style stays bold and striking, even when the story wavers. The glowing‑teeth plague, which might seem absurd, he treats with serious deadpan humor, adding a unique punch to the satire. The film’s pacing varies, sometimes fast and urgent, other times slow and indulgent, creating a lively rhythm that keeps you engaged. His ambitious approach is clear, and the film’s chaotic energy adds to its charm, though at times it might overshadow some of its sharper messages.
Ultimately, Rich Flu shines thanks to its vibrant personality. It’s wild, loud, and sometimes simply brilliant, fueled by Winstead’s passionate performance and Gaztelu‑Urrutia’s rebellious spirit. The film might not always follow a clear path, but it’s always brave enough to challenge the norm. That lively, defiant spirit makes it a movie worth watching, full of energy and character.
Letter Grade: B‑plus. Hulu.
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