
Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
REVIEW:

In Jane Schoenbrun’s latest cinematic endeavor, “I Saw the TV Glow,” we are invited into a world where the boundaries between reality and the surreal blur, much like the static on an old television screen. This film, a poignant exploration of identity and belonging, resonates with the haunting echoes of a bygone era of analog television, yet it pulsates with the urgency of contemporary issues..

It is also a haunting exploration of identity and reality, drawing heavily from the surreal and unsettling influences of David Lynch and David Cronenberg– and offers a unique and compelling narrative that will leave one with Black Mirror deja vu.

The narrative centers on Owen, portrayed with raw vulnerability by Justice Smith, whose journey from childhood innocence to the tumultuous throes of adolescence is both heart-wrenching and captivating. Owen’s fascination with the enigmatic TV show “The Pink Opaque” serves as a metaphor for his quest for self-discovery and acceptance. The show, with its grotesque monsters and slippery mythology, becomes a sanctuary for Owen, a place where he can confront his deepest fears and desires.

The plot revolves around Owen, a teenager whose life is irrevocably changed after discovering a mysterious late-night TV show, “The Pink Opaque.” This Lynchian like narrative blurs the lines between reality and fantasy, creating its’s own dreamlike atmosphere. The show’s grotesque monsters and slippery mythology echo the surreal imagery found in Lynch’s “Twin Peaks” and “Mulholland Drive”. The practical effects and intoxicating photography also echo Lynch, while preserving Schoenbrun’s unique voice.

The supporting cast, including Brigette Lundy-Paine as Maddy, Owen’s enigmatic friend, adds depth to the narrative. Their performances are nuanced, capturing the complexities of teenage angst and the longing for connection. The film’s soundtrack, an earworm of original compositions, further immerses the audience in Owen’s world, enhancing the emotional resonance of each scene..

The characters undergo profound transformations, reminiscent of David Cronenberg’s body horror films. Owen’s journey is marked by a visceral struggle with his own identity, mirroring the physical and psychological metamorphoses seen in Cronenberg’s “The Fly” and “Videodrome“. Justice Smith’s performance as Owen captures the raw, wounded essence of a young man grappling with personal loss and existential dread.The film’s themes of identity, sexuality, and personhood are explored with a depth and nuance that is both thought-provoking and emotionally resonant.

Fans of Lynch and Cronenberg will appreciate the film’s homage to these masters of surreal and body horror, while newcomers may find themselves drawn into its enigmatic world. Despite some pacing issues and moments of narrative ambiguity, the film’s strengths lie in its ability to evoke a sense of unease and wonder, making it worth a watch.

“I Saw the TV Glow” gets a 3.0/5 or a B. It’s streaming on Max.

CREDITS:
Directed by
Written by
Jane Schoenbrun
Produced by
- Sam Intili
- Sarah Winshall
- Emma Stone
- Dave McCary
- Ali Herting
Starring
- Justice Smith
- Brigette Lundy-Paine
- Helena Howard
- Lindsey Jordan
- Conner O’Malley
- Emma Portner
- Ian Foreman
- Fred Durst
- Danielle Deadwyler
Cinematography
Eric K. Yue
Edited by
Sofi Marshall
Music by
Production
companies
- Fruit Tree
- Smudge Films
- Hypnic Jerk
- Access Entertainment
Distributed by
Release dates
- January 18, 2024(Sundance)
- May 3, 2024(United States)
Running time
100 minutes[1]
Country
United States
Language
English





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