Image; Famine (1997), sculpture by Rowan Gillespie commemorating the Great Famine; in Dublin.
Only my grandmother came home to die. Her centuries old home was built with a birthing and dying room, two small bedrooms, a library and as was custom, no parlor
She went through the process of life in private but away from the spaces entirely reserved for birth and death.
Home was a place where she ate, sat still, stared and meditated day after day at the place where she came from and would finally end up. That was the way it was suppose to be.
On that day, she sat in her old mahogany birthing chair and closed her eyes until they no longer fluttered. Her hand fell on what was my motherโs old crib, rocking it three times. She was moved to the smaller room long prepared for her body . Her dying room had no light, just a small bed with fluffy pillows.
My mother was a living woman. When she bought her Miami house near the beach and the bay she made certain there were no birthing and dying spaces, just lots and lots of living areas: four bedrooms, a sunken living room that took more than half the space, a well-breathed kitchen, a good size open Florida room and beyond that a screened-in clear blue pool equal to the size of the living room. This was the way she knew it was suppose to be for her and for us.
She died on a flesh covered La-Z-Boy in the TV-room of a much smaller house, the arm rest worn through by constant gripping, the foot rest half kicked off from the convulsion prior to the hear attack. I had just returned from seeing Fatal Attraction at the mall Megaplex. Thirty-five years later Iโve yet to rewatch it.
My father must have been thinking of his death when he built his open house atop the charred ruins of a post Civil War estate with servant quarters and stables that overlooked Frenchmanโs Cove in Maine. The house was a wing cut from the air and nailed to the rocky shore. The gentle waters of the bay ached daily to caress the sighing foundation beneath as if the water and air always knew and was now retelling the story of every birth and death in the front and back spaces of their proper time. My father found peace there and called it Tranquility. But the soil and tide knew from the soft screech of the sky that he would be denied his wish to die there.
My father, a doctor, specialized in obstetric anesthesia, and started his.practice just on the fringe when birthing rooms were yielding to maternity wards. On a bright day in his study overlooking the bay, when he stared looking like he might be turning the corner on a recent malady, he turned pale and gray and short of breath. He was passed from smaller hospital to bigger hospital until he finally landed in the University hospital where he taught for many years, in a private room amidst the throbbing and beeping of machines he was intimately comfortable with.
On his second day in hospice, the machines were disconnected and under the lightest of anesthetic drugs he took his last sleep. The interns said it was an honor to treat him until his last dying breath.
I donโt know if I will pass in a dying room of my choosing. it will certainly be far removed from the room I was born. Most likely I will die in the wrong place, like most everyone else. As you have read, the odds are less than one in three. that nature or fate or God will get it right.
Time is too much about different arrangements of proximity to be relied on. So much depends on who goes in front of me. Who is besides me and/or behind me. Or just elsewhere, missing, soon to come. it all depends on how attenuated I am to the living and dying spaces around me. How undoubtedly some one else or no one will write or even remember my ending and beginning
Leave a Reply