The Moya View

Tag: restraint in poetry

  • When the Boys Go Marching Away

    When the Boys Go Marching Away

    When the Boys Go Marching Away began as a meditation on the quiet rituals of departure—how war, faith, and memory braid themselves into the domestic fabric. I wanted to write a poem that resists heroism and sentimentality, that instead lingers in the aftermath: the porches, the ribbons, the daughters named Hope.

  • Leaving Vancouver

    Leaving Vancouver

    Leaving Vancouver emerged from a moment of sensory disorientation—salt, tar, and ocean air mingling with dread. I was struck by how travel, especially cruise travel, promises escape but often delivers confrontation. The poem explores the tension between ritual and unease, between what we hope to leave behind and what insists on following us. Russell’s suitcase…

  • The Shaker Chair

    The Shaker Chair

    “The Shaker Chair” began as a meditation on absence—how sacred objects lose their purpose when belief erodes. I was drawn to the Shaker chair as a symbol of readiness, reverence, and silence. The poem inverts that grace, replacing angelic possibility with corporeal desecration. It’s not a condemnation—it’s a witnessing. The man who occupies the chair…