Tag: Eunoia Review
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Large Language Questions
I wrote Large Language Questions while testing how grammar itself can fracture under pressure. Each question turns syntax into a physical object—hinge, blade, lock—so that language becomes a machine grinding against desire.
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Ars Poetica
I wrote Ars Poetica while sorting through my own books, watching mold consume the faces of poets I admired. The poem confronts the rot of memory and authorship—how even our self-published titles soften under time’s pressure, yet remain proof of persistence.
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TICONDEROGA
TICONDEROGA began as a meditation on the physical relationship between body and object—specifically, the pencil as a site of memory, refusal, and violence. I wanted to write a poem that treated the pencil as a forensic artifact. The bite marks, the flaking paint, the taste of wood—all of these are real, bodily details. The poem…