The Moya View

Tag: emotional pressure

  • Morning Origami

    Morning Origami

    I wrote Morning Origami out of the daily ceremony of chronic pain — the body folding itself under invisible pressure. The poem enacts that ritual as a dialogue between sky and flesh, where endurance becomes a kind of devotion.

  • Plagiarism

    Plagiarism

    This poem began as a meditation on how renewal can feel like duplication rather than change. Its theme is the tension between natural recurrence and human fatigue—the way life reissues itself even when we wish it wouldn’t.

  • Vestige

    Vestige

    I wrote Vestige out of the memory of my mother’s rituals—how care and vigilance could harden into preservation. The poem began with the image of towels draped over thorns, a gesture that felt both protective and sacrificial. I wanted to explore how domestic acts—counting, tending, washing—become ceremonies of control and grief. The poem’s tone is…

  • Where Are You My Friend…?

    Where Are You My Friend…?

    This poem emerged from walking through a heat-struck urban lot where absence felt more physical than memory. I wanted the poem to carry abandonment through objects—barbed wire, cats, asphalt—without commentary. The body persists, but only through what it touches. The theme is not grief but residue: what remains when someone doesn’t.

  • After the Movie

    After the Movie

    “After the Movie” emerged from the residue of a theater’s disassembly—the rupture of communal silence into the flicker of screens and the crackle of wrappers. I wanted to capture the moment when the film ends but its emotional architecture lingers in the objects and gestures left behind.