Paula Elle assembles a compelling cast, led by Erica Durance as Anita. Still, the film struggles to maintain its tension, feeling more like a campfire story that keeps losing its flashlight. The story of Rose (Kennedy Rowe), a teenager who runs off after a breakup and accepts a ride from family friend Perry (Eric Hicks), has the potential to be fear-inducing, urgent, and emotionally impactful. Yet, the suspense gently meanders, as if the movie keeps stopping to check if everyone remembered to pack snacks.
As a thriller, the film relies heavily on familiar tropes—abduction, pursuit, a mother’s relentless determination—yet it offers only fleeting moments of tension. Durance provides Anita with a calm, unwavering presence, while Hicks injects Perry with a cool, polite detachment. Unfortunately, the film’s tempo slows at every attempt to build suspense, and even the investigation with Detective Marla Henrique (Shiraine Haas-Blake) unfolds at a languid pace, like a weekend errand that stretches on endlessly.
At the core of the film is a touching mother-daughter bond, brought to life by a dedicated cast. Yet, instead of delivering adrenaline-pumping thrills, the story unfolds like a cozy chat over warm tea. The threats feel gentle, the surprises subtle, and the suspense takes a leisurely walk rather than a sprint. For those craving a light, charming kidnapping story with heartfelt performances, this film provides a comforting, feel-good escape.
Grade: B. Streaming on Hulu.
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